Post 461

In this scene from Laro (literally Game), an adaptation of A. Schnitzler’s La Ronde, the Model (Jay Gonzaga) tells his tale of having to pursue perfection because of his beauty while the Philanthropist (Vince de Jesus) disdains hearing pitiful stories – he rather seeks flaws for he finds perfection boring. The play casts the spotlight on gay life in conservative Philippines. The play is written by Floy Quintos.

Photo by I.R. Arenas

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Post 455

In The Kundiman Party, the three concerned titas of the Philippines – Helen (Stella Cañete-Mendoza), Mitch (Jenny Jamora), and Mayen (Franses Makil-Ignacio) – are stuck in social media for things politically viral. Despite their age, they still have the flare burning for the good sake of the country.

This is from the 2018 original run of Floy Quintos’s Kundiman Party, directed by Dexter Santos. (The play has its rerun in late May 2019.)

Photo by I.R. Arenas

Post 351a

One of the best plays I’ve seen this year (half of it) is Floy Quintos’s Angry Christ (directed by Dexter Santos). It is about the American painter, rather of Filipino descent, Alfonso Ossorio’s period of artistic metamorphosis while doing a mural in their family’s chapel in Negros island. The play’s book is rich in real and imaginative details of the struggles for identity and expression (both artistic and gender).

Photo by I.R. Arenas